Sandra Millar’s characterful prints explore the human form in moments of joyful movement and reflective stillness.

Laura Reiter’s series of screenprints combines London architecture with botanical forms, using photographic and drawn marks and vivid inks.

Michael Reid talks about using the painterly sugar lift aquatint technique to create his atmospheric "Misty St Paul's" print.

Yuet Yean Teo’s prints combine influences from Eastern and Western artistic traditions to explore her travels, feelings and experiences.

Stephen Robson talks about the new series of abstract oil paintings he made during lockdown, which are on show in the gallery May 17-June 6.

Elaine Marshall on how she made her linocut print “Egyptian Birds”, which was inspired by wall paintings on display at the British Museum.

Sally McKay captures fleeting moments in her prints, often inspired by her sketches of dance rehearsals. She talks about her evolving work.

Ann Burnham's ‘Postcards’ series explores her grandmother’s memories about fleeing Russia. Ann shows how she made these collagraph prints.

Buy our 2021 calendar and our "Greenwich and the Thames" illustrated guide booklet at our new online shop.

Our new show at our Greenwich gallery is due to reopen on December 3, after the lockdown, but you can have a sneak peek in the meantime.

Ruairi Fallon McGuigan talks about reduction woodcut techniques, making chessboards and being selected for the RA Summer Exhibition 2020.

Bethany Marett uses print, sculpture and photography to explore the body and the gaze. She talks about her new reduction woodcut.

Tammy Mackay’s animal and bird prints are richly layered with meaning. She talks about her new series, "Hope" and "Fear".