Kit Boyd talks about how his linocut of London's famous Greenwich Park developed into a variety of versions, each bringing a different atmosphere to the scene. His skill with colour and adding or changing details show how much print ideas can evolve and create different effects while still using some of the same carved lino blocks.

Fiona Wallin captures the atmosphere of a charming Greenwich backstreet in her new collagraph print, "The Green Door". She takes us behind the scenes of how she made it, using humble materials to create a wonderful range of tones and textures and a composition you feel you can step right into.

Local art collector Christina Lane on why she loves prints, plus a few of our images that take an unusual viewpoint of the local area.

Jennie Ing's linocuts of London explore her love of architecture, the bustle of the city and contrasting colours.

Steve Edwards on his marvellous series of owl prints, getting into the Royal Academy Summer Exhibition, and combining etching and lino.

Ling's work explores themes including migration, memory and the printmaking process itself, with a focus on sustainability.

Peter Wareham explains how he made this expressive etching and relief print that captures the glow of autumn sunlight on London plane trees.

Greenwich Printmakers is bringing original prints by 24 artists to Islington Square for a pop-up exhibition, August 24-September 5.

Laura Reiter’s series of screenprints combines London architecture with botanical forms, using photographic and drawn marks and vivid inks.

Michael Reid talks about using the painterly sugar lift aquatint technique to create his atmospheric "Misty St Paul's" print.