Ling talks about ‘thinking through printing’, how travelling with minimal art supplies can open up creative freedom, and how a recent commission for a histopathology department led to experimental prints that react to touch and UV light.

Kit Boyd talks about how his linocut of London's famous Greenwich Park developed into a variety of versions, each bringing a different atmosphere to the scene. His skill with colour and adding or changing details show how much print ideas can evolve and create different effects while still using some of the same carved lino blocks.

Tim Mitchell explains how he made “Mandarin Duck”, a spectacular four-plate colour etching.

Tim Mitchell talks about his recent swallows etching and the challenges of trying to capture the baking heat of summer in ink.

Tim Major explores stories, legendary creatures and British raptors in his prints. He talks about "Beltane" and his love of horror films.

Nikki Braunton makes darkly comic prints inspired by the people she sees around her and her love of nature. She talks about her characters.

Tim’s aquatint etchings draw on his love of nature and his fascination with the use of birds and animals in storytelling across cultures.