Clare Grossman talks about using colour, scale and experimentation to create a sense of nature’s power in her new monotype etching series.

Carolyn Fuller explains how she combines relief printing, monoprinting, batik dye and even spray paint in her Trees in My Garden series.

If you missed our special 40x40 prints at the Barbican in December, you have another chance to see them at Greenwich Printmakers Gallery.

Christina France is a visual artist working with print, drawing and a combination of the two. Creating embossed drawings and prints as a...

Greenwich Printmakers is celebrating its 40th anniversary in 2019. Here are just a few of the key events in our history.

Our landmark exhibition runs at the Barbican Library until December 31 and marks our 40th anniversary with a showcase of 40cm x 40cm prints.

"Loch Garten", Drypoint print by Lucy Ward Our Prints for Presents show is up in our Greenwich Gallery. We love this new print by Lucy...

Variation on Reflections in Silver, Black & White No 4 Clare Grossman Well done to all our printmakers who have had work selected for the...

Greenwich Printmakers will be at the Affordable Art Fair in Battersea this week, and we have some digital codes for free entry.

Christina France on how her father's log book from his time as a Second World War pilot helped inspire her etching with 23-carat gold dust.

Tammy Mackay talks about her etching and drypoint "Lion", which was selected for the National Original Print Exhibition.

One of our newest members, Ruairi Fallon McGuigan, won a prize at the prestigious National Original Print Exhibition this week.

In the final week of Greenwich Printmakers at 40, more of our artists reveal how and why they made their new prints for the show.

Bethany Marett shares how she was inspired by the architectural achievement of another woman artist, Mary Watts, to create her new linocut.

A few more images of work made for our Watts Contemporary Gallery Exhibition, in the words of the artist who created the pieces. Steve...

Ann Burnham on how a brief to create a Surrey-inspired print for Watts Contemporary Gallery led her to explore a new approach to linocut.

Four more of our artists share the thought process behind the new prints they made for Watts Contemporary Gallery.

Jennifer Jokhoo explains how she made her reduction linocut "Beneath the Woods", which is in our show at the Watts Contemporary Gallery.

Many of us made new work in response to the Watts collection and its setting. Three artists share what inspired their very different prints.

Anthony Salter explains how he made his photogravure and linocut “Mind the Gap”, which is on show at the Royal Academy of Arts.