Sue Whitmore on her atmospheric “Dark Hedges” etchings, which highlight her expressive drawing and her love of dramatic landscapes.

Peter Wareham explains how he made this expressive etching and relief print that captures the glow of autumn sunlight on London plane trees.

Maureen’s vibrant prints draw on her experience as a painter. She explains why she loves monoprints – and you can even make them at home.

Lucy Ward's atmospheric landscapes explore how changes in light can make us react differently to a familiar scene.

Greenwich Printmakers is bringing original prints by 24 artists to Islington Square for a pop-up exhibition, August 24-September 5.

Anthony Salter talks about making his photogravure print “Passing Through”, which has been shortlisted for the RA Summer Exhibition.

Tim’s aquatint etchings draw on his love of nature and his fascination with the use of birds and animals in storytelling across cultures.

Sandra Millar’s characterful prints explore the human form in moments of joyful movement and reflective stillness.

Laura Reiter’s series of screenprints combines London architecture with botanical forms, using photographic and drawn marks and vivid inks.

Michael Reid talks about using the painterly sugar lift aquatint technique to create his atmospheric "Misty St Paul's" print.

Stephen Robson talks about the new series of abstract oil paintings he made during lockdown, which are on show in the gallery May 17-June 6.

Elaine Marshall on how she made her linocut print “Egyptian Birds”, which was inspired by wall paintings on display at the British Museum.

Sally McKay captures fleeting moments in her prints, often inspired by her sketches of dance rehearsals. She talks about her evolving work.

Our new show at our Greenwich gallery is due to reopen on December 3, after the lockdown, but you can have a sneak peek in the meantime.

Ruairi Fallon McGuigan talks about reduction woodcut techniques, making chessboards and being selected for the RA Summer Exhibition 2020.

Bethany Marett uses print, sculpture and photography to explore the body and the gaze. She talks about her new reduction woodcut.

Tammy Mackay’s animal and bird prints are richly layered with meaning. She talks about her new series, "Hope" and "Fear".

Peter Luty combines artistic and technical drawing in his linocuts of buildings.

Olivia Krimpas talks about using colour to create prints that look very different from the same plates in her "Colour Combinations" series.

Jennie Ing talks about how she made her reduction linocut "The Picnickers", which captures a perfect summer evening she didn't want to end.