Ruairi Fallon McGuigan talks about reduction woodcut techniques, making chessboards and being selected for the RA Summer Exhibition 2020.

Bethany Marett uses print, sculpture and photography to explore the body and the gaze. She talks about her new reduction woodcut.

Tammy Mackay’s animal and bird prints are richly layered with meaning. She talks about her new series, "Hope" and "Fear".

Peter Luty combines artistic and technical drawing in his linocuts of buildings.

Olivia Krimpas talks about using colour to create prints that look very different from the same plates in her "Colour Combinations" series.

Janet Wilson talks about using different printmaking techniques to explore the natural world.

Julian Davies explains how his reduction linocuts are influenced by Zen gardens, Kandinsky and Frank Zappa.

Diana Croft on her series of reduction linocut prints inspired by allotments, which have become important sanctuaries in the lockdown.

Jennie Ing talks about how she made her reduction linocut "The Picnickers", which captures a perfect summer evening she didn't want to end.

Clare Grossman talks about using colour, scale and experimentation to create a sense of nature’s power in her new monotype etching series.

Carolyn Fuller explains how she combines relief printing, monoprinting, batik dye and even spray paint in her Trees in My Garden series.

Christina France on how her father's log book from his time as a Second World War pilot helped inspire her etching with 23-carat gold dust.

Tammy Mackay talks about her etching and drypoint "Lion", which was selected for the National Original Print Exhibition.

In the final week of Greenwich Printmakers at 40, more of our artists reveal how and why they made their new prints for the show.

Bethany Marett shares how she was inspired by the architectural achievement of another woman artist, Mary Watts, to create her new linocut.

Ann Burnham on how a brief to create a Surrey-inspired print for Watts Contemporary Gallery led her to explore a new approach to linocut.

Four more of our artists share the thought process behind the new prints they made for Watts Contemporary Gallery.

Jennifer Jokhoo explains how she made her reduction linocut "Beneath the Woods", which is in our show at the Watts Contemporary Gallery.

Many of us made new work in response to the Watts collection and its setting. Three artists share what inspired their very different prints.

Anthony Salter explains how he made his photogravure and linocut “Mind the Gap”, which is on show at the Royal Academy of Arts.