Fiona Wallin captures the atmosphere of a charming Greenwich backstreet in her new collagraph print, "The Green Door". She takes us behind the scenes of how she made it, using humble materials to create a wonderful range of tones and textures and a composition you feel you can step right into.

Polly's spectacular prints bring wildlife stories to life through her knowledge of animal behaviour, expressive marks and her love of drawing. She shares her memories of her time living in Africa, why each print is unique and why she loves printmaking.

Steve Edwards on his marvellous series of owl prints, getting into the Royal Academy Summer Exhibition, and combining etching and lino.

Our featured artist Janet Wilson explains how she made these delicate prints, using real plants as part of the printmaking process.

Lucy Ward's atmospheric landscapes explore how changes in light can make us react differently to a familiar scene.

Michael Reid talks about using the painterly sugar lift aquatint technique to create his atmospheric "Misty St Paul's" print.

Ann Burnham's ‘Postcards’ series explores her grandmother’s memories about fleeing Russia. Ann shows how she made these collagraph prints.